Chand Phir Nikla, Paying Guest (1957)Ĭhori Chori’s Rasik Balma and Chand Phir Nikla are almost soul sisters but the latter’s tune, turmoil and Lata ji’s trademark touch gives it a bit of an edge.ġ1.
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A quality she uses to great advantage for V Shantaram’s social reforms drama.ġ0. That shraddha bhav in Lata Mangeshkar’s rendition can turn believers out of sceptics. Aye Malik Tere Bande Hum, Do Aankh Baarah Haath (1957)
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Lata trills and thrills in this tour de force from Shankar-Jaikishan’s magnum opus.ĩ. Jaa Jaa Re Jaa Balamwa, Basant Bahar (1956) Lata ji picks the desperation and devotion in Chandramukhi’s deep concerns for her unreciprocating beloved in her pitch-perfect delivery of a classic.Ĩ. If Lata ji’s epic prowess in classical music here doesn’t take your breath away, you probably need new ears. The playback queen finds a perfect balance between grand ardour and understated drama in the exquisite notes of Yeh Zindagi Usi Ki Hai. If Madhubala and Dilip Kumar’s intense agony burns the screen, Lata Mangeshkar and Talat Mehmood’s heartfelt understanding of this pain lends it force.īrimming with spirit, sentiment and strength, Lata Mangeshkar’s energetic call for patriotic participation in Anand Math is stuff of goose bumps.ĥ. Seene Main Sulagte Hain Armaan, Taraana (1951) The singer exuberantly conveys the pangs of first love in this Raj Kapoor-Nargis romance leading to the passionate embrace that inspired RK’s historic logo.ģ.
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Even when a young Lata’s personal style was still evolving, the sheer softness of her singing wasn’t lost on the discerning listener in this haunting beauty for the ages.